Communications options for the CL-9
Since the Sound Devices CL-9 hit the blogosphere, views and how-to’s have filled the web. Instead of rehashing what […]
Since the Sound Devices CL-9 hit the blogosphere, views and how-to’s have filled the web. Instead of rehashing what […]
For music industry based audio companies, the film/television audio production world is a blip on their financial radar. For years
As we looked back over 2009 we found several things to be happy about. NAB2009 brought out a few new
WTVF Cameraman Nathan Sharkey and his newly outfitted camera Over the years WTVF–NewsChannel 5 in Nashville, Tennessee, has kept a
A new suspension and windscreen for the Sennheiser MKH-8000 microphones Pricing: Suspension Windscreen Windjammer Microphone and Acc Rycote
The classic blimp-shaped microphone windscreen: It’s the most iconic image of film and video sound. Even people who are not
The human hand can be a reasonably good suspension device. In most film and video production situations hand-held mics are not effective, one arm is too short. We need to mount the mic on a rigid pole. The rigidity of the boom pole is where the problems begin. Boom poles transmit vibrations rather well, some better than others. Many clever people have spent decades trying to build a device, a shock mount, to put on the end of the boom that will do what our hands can do so easily. Read full entry »
Since the original review of the PSC Solice mixer of April 2009, PSC has responded with several improvements as described
Another jewel from Switzerland: The new Sonosax SX-ES64 portable compact audio mixer. It just arrived at Trew Audio this past Friday, September 18, and I must say it is a beautiful piece. We’ve grown to expect audio equipment as art from Sonosax, but still, the first gaze at the SX-ES64 is stunning. Read full entry »
On September 8th, Sound Devices rocked our world with their latest product release: the 552 Mixer/Recorder. Evolving from the