
Often, when I’m talking to someone who’s trying to decide between one mixer or another, or one microphone or another, etc., I look back over my years as a freelancer and tell them my experience: I have never regretted buying the best I could afford when I needed it, but there have been many times that I regretted buying things based on low price, many of which made a loud thud when they entered the dumpster. Using a simple rule described below in this article, in the early 1990’s I spent a scary amount of money on a new Cooper 106 ($10,000) and a new Nagra IV-STC ($13,000). As it turns out, these were two of the best investments I’ve ever made.
Well, it’s nearing the end of 2008 now, and it is common knowledge that, yet again, after a run of five or six good years, the economy around the world is slowing, even receding. As has always been the case, things will turn around, but the general sentiment is that the lull may stay for a while-six months, a year, maybe a couple. Everyone knows that this is the current problem, but what may not be so clear to film/video sound professionals is how to best respond for their careers.
I’ve been in the business of sound for film and video production long enough to experience many cycles of economic downturn and recovery. Over and over again, I’ve witnessed what have proven to be wise responses and poor responses to both good and worrisome times. The patterns have been so consistent that surely the same principles that influence your degree of success or struggle will apply this time around, too.
One decision all freelancers in this business must make is what equipment to buy and when to buy it. When making these decisions, we are all basically attempting to achieve the best balance between low exposure to financial risk, and an increased probability of career stability and advancement. Regarding the economics of buying equipment, I have come to believe that the proper response during the good times is the same as the proper response in the worrisome times: Buy the best you can, when you need it.
Some work on Wall Street. You work in sound. Imagine what would happen if a brilliant financial analyst with years of success “reading” the market sat down at your cart or strapped on your equipment and attempted to do what you do. They might kid themselves into thinking anyone can do it, but as we all know, the unlucky dude would gain a new perspective of the term crash. Likewise, don’t kid yourself into thinking you can do what they do. The two professions are very skilled and very different.
As the owner of Trew Audio, I’ve observed now for 25 years the buying decisions of countless sound professionals. There are undeniable buying patterns associated with those who go on to great success and those who struggle, though they all have the same goal of improving their careers by spending their money wisely.

Then what to do? Our original rule, Buy the best you can, when you need it, answers the most important questions: What to buy? & When to buy it? Sticking with this philosophy over the long haul absolutely will improve your career and financial standing. For example, once you determine what to buy, and you then buy it independent of market fluctuations (when you need it), the law of averages assures that you will buy when the market is high just as often as you will buy when the market is low. In other words, using this method over the length of your career, you will not spend any more money than if you try to time your purchases with a moving market. You will have the best equipment you can have, when you need it. An indirect advantage to this method is that all the energy saved from something in which you are not an expert (predicting a constantly changing market) can then be focused on what you do know about (sound for your clients), which results in what your envious competitors will scoff at as “lucky breaks.” Hey, maybe there is some accounting for luck, after all!

Summary
Like most things simple, the rule, Buy the best you can, when you need it, works. It has worked for me, still does, and always will. Adopt this philosophy and apply it to the next purchase you are considering, and the next, and the next, and you will be in an ever-improving position to best use what got you started in the first place-your desire to work in sound.


Sometimes you win, sometimes you LOSE (unless you’re Archie Bell)
Nice article Glen. One other consideration with today’s new equipment, (not the usual stuff like mikes or fishpoles,) should be the learning curve. For example, buying a digital recorder a week before a job can be risky. Is it working properly? Can you even tell if you haven’t learned the basics of its operation? Do you have all the cables needed and are they wired right? Just like being early for a call is being on time, buying equipment early is being prepared.
Great advise Glen, Thanks for your willingness to share your years of experience with us. I have made few bad buying decissions in the past that I wish I had just listened to John Algee’s advice and bought the right stuff the first time around. I would have saved a lot more money doing it your way. But in the end, I’ve learned and I’m better for it now.
Again, thanks
Chas
Thanks Ed, but “loose” is correct. The typo was the preceding “you” which should have been “you’re”. 🙂
Dale, that’s a good point (about time needed to become familiar with new equipment). The concept basically boils down being prepared, which, of course, is a good idea when you can. However, the problem a lot of sound mixers face is that they often find themselves needing new equipment with very little time before having to use it because they are often hired for productions with very little time to prepare. For this reason, it may be more common than it should be that sound pros wait until the very last minute (waiting until the job is certain) to buy new gear. The practice is understandable, and maybe even at times advisable. But when the need to add new equipment is relatively certain (such as in the case of those established in their careers), it is better to buy it in plenty of time to learn it and to work it into your system.
Thanks Chas. We may not get it right every time, but we try to, every time.
As we are refining this blog portion of the Trew Audio website, please feel free to suggest topics, either by adding a comment to a thread or by contacting me or the other authors directly.
Regards to all,
Glen Trew