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Trew Audio and Zaxcom Team Up with USC
Trew Audio and Zaxcom team up to provide the next generation of audio technology to the next generation of film students at USC School of Cinematic Arts.
Uncategorized
Product Focus: Zoom H6 – The Swiss Army Knife of Recorders
Zoom hand held recorders have found their way into many sound professionals’ bags. Indeed, the H4 pushed the envelope of portable low-cost recording with a device that provide substantial sound quality, sophisticated features in an affordable package.
Articles, Mixers, Recorders, Reviews, Uncategorized
TASCAM DR-60D Mixer/Recorder Problems
TASCAM DR-60D may eventually turn out to be a good product for double system DLSR production, but there are some concerns.
A Trew Audio customer brought his Tascam DR-60D to our Los Angeles store hoping we could figure out why his recordings had a serious noise issues. He also brought in the two Canon 5D Mark II cameras he was using with the DR-60D.
Are You Ready to Go Back to Work?
Summertime, and the living is easy… but as always, that’s about to change. For many in the world of Television production sound, late spring/early summer is a much needed time of rest (called “hiatus,” in the industry, usually a couple of months) that comes between the wrap of the prior season and the beginning of the next. The 16-hour days, week after week, take their toll on us, but it is also brutal on our equipment. In addition, trends change, equipment advances, and we should always be refining the way we work. But whether you work on television series, feature films, reality TV, commercials, news, or whatever, my advice is the same: after some much needed rest, when cabin fever sets in, remember that continued success depends on being prepared. Here are some ideas to help you get ready for the next run.
WiFi Timecode – The Time Has Come Today
In the late 1960’s, the Society of Motion Picture and Television Engineers (SMPTE) adopted longitudinal timecode (LTC) as a method of making video and audio match. Timecode is the industry standard frame numbering system that assigns a specific number to each frame of video in the format of hours, minutes, seconds, and frames, while recording the same number on a corresponding audio track. And though there is a profusion of different frame rates, not that much has changed – both sound and picture people need a highly accurate clock to generate a starting point for all parties to reference. But what has changed is the way in which we manage timecode.
NAB 2013 – Redding Audio Booth
