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20 Questions with the Sound Devices 633
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20 Questions with the Sound Devices 633

Since the release of the Sound Devices 633, we’ve noticed a number of questions that customers are consistently asking. I’ve addressed the top 20 FAQs below. If you have any further questions, please contact a member of our sales staff or e-mail me directly.

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Introducing the Sound Devices 633

Trew Audio is proud to present a detailed look at the 633, Sound Devices’ latest field production mixer. Join Jesse Santoyo and Chris Frasco as they dive deep into this exciting new product, covering everything from its basic layout to some intricacies of the menu system. The Sound Devices 633 is currently in

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Big News – Live Streaming Event This Tuesday!

We have a big event coming up this Tuesday, and you don’t want to miss it! Tune in here at 11:00 AM CST (9:00 PST) for the big surprise.

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Sound Devices 664 Firmware Update

Sound Devices has released a firmware update (v2.00) for their flagship field production mixer, the 664. Version 2.00 opens up the mixer’s connections to accommodate 6 additional inputs by reappropriating the TA3 direct output jacks.

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Tascam DR-60D: Problem Solved

As mentioned a couple of months ago in an August 21 article posted in Trew Audio Flow (see the article here), we discovered a problem having to do with noise being induced into the Canon 5D-MkII camera when – and only when – attached to the DR-60D. The amount of testing

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Trew Audio and Zaxcom Team Up with USC

Trew Audio and Zaxcom team up to provide the next generation of audio technology to the next generation of film students at USC School of Cinematic Arts.

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Product Focus: Zoom H6 – The Swiss Army Knife of Recorders

Zoom hand held recorders have found their way into many sound professionals’ bags. Indeed, the H4 pushed the envelope of portable low-cost recording with a device that provide substantial sound quality, sophisticated features in an affordable package.



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TASCAM DR-60D Mixer/Recorder Problems


TASCAM DR-60D may eventually turn out to be a good product for double system DLSR production, but there are some concerns.

A Trew Audio customer brought his Tascam DR-60D to our Los Angeles store hoping we could figure out why his recordings had a serious noise issues. He also brought in the

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Are You Ready to Go Back to Work?
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Are You Ready to Go Back to Work?

Summertime, and the living is easy… but as always, that’s about to change. For many in the world of Television production sound, late spring/early summer is a much needed time of rest (called “hiatus,” in the industry, usually a couple of months) that comes between the wrap of the

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WiFi Timecode
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WiFi Timecode – The Time Has Come Today

In the late 1960’s, the Society of Motion Picture and Television Engineers (SMPTE) adopted longitudinal timecode (LTC) as a method of making video and audio match. Timecode is the industry standard frame numbering system that assigns a specific number to each frame of video in the format of

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