Accessories, General Techie Stuff, Miscellaneous, Production Stuff
The impossible dreams.
This isn’t going to be a tech savvy post, but I thought it would be nice to discuss my (and […]
Production Stuff
Articles, General Techie Stuff, Production Stuff
48.048 kHz?
So, when is it appropriate to record at 48.048 kHz, and how should you set your recorder when doing so?
Articles, Mixers, Production Stuff
Tools of the Trade: ENG Mixers
(Originally published in Audio Media Magazine USA) In the field of professional audio, there are a select few who have
Articles, Mixers, Production Stuff
Tools of the Trade: Portable Mixing Consoles
(Originally published in Audio Media Magazine USA) In this volume: Cooper CS-208 & CS-106; Sonosax SX-8; Zaxcom Cameo; Audio Developments
Articles, Production Life, Production Stuff
Things You May Not Learn In Film School (but should)
[Editor’s note, Feb 2014: Written over 20 years ago now, many of the points below are obsolete, though fun to
Articles, History of Sound Recording, Production Stuff
A Brief History of Timecode (For synchronous sound recording)
In the beginning, for the timecode audio recordist anyway, there was the Nagra IV-S adapted for timecode. Eventually Nagra would