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When the crew is looking at you, the only person who isn't ready to roll, you may hope for the Apocalypse. Alas, it is time to start troubleshooting. Checking cables…
Public transportation... I love it. Partly due to my roots in a small town, part gas prices, and part Nashville barely has any. So on a recent trip to Chicago…
For the next couple of weeks I'm going to discuss two recent "field trips" I took to a film production and world famous production facility. Though intensely different on the…
This isn’t going to be a tech savvy post, but I thought it would be nice to discuss my (and hopefully your) dreams for the next year. For the last…
So, when is it appropriate to record at 48.048 kHz, and how should you set your recorder when doing so? The answer lies in your project sound and picture workflow…
(Originally published in Audio Media Magazine USA) In the field of professional audio, there are a select few who have found themselves, either by choice or by fate, in the…
(Originally published in Audio Media Magazine USA) In this volume: Cooper CS-208 & CS-106; Sonosax SX-8; Zaxcom Cameo; Audio Developments AD-146, AD-147, & AD-149; PSC M8. For Film and Television…
Never run. In short, running on the set is poor professional form for a sound department. While the enthusiasm may be impressive to the unseasoned, running tells those with experience…
In the beginning, for the timecode audio recordist anyway, there was the Nagra IV-S adapted for timecode. Eventually Nagra would have a timecode version of their own, affectionately (but unofficially)…
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