Zoom hand held recorders have found their way into many sound professionals’ bags. Indeed, the H4 pushed the envelope of portable low-cost recording with a device that provide substantial sound quality, sophisticated features in an affordable package.
TASCAM DR-60D may eventually turn out to be a good product for double system DLSR production, but there are some concerns.
A Trew Audio customer brought his Tascam DR-60D to our Los Angeles store hoping we could figure out why his recordings had a serious noise issues. He also brought in the two Canon 5D Mark II cameras he was using with the DR-60D.
Summertime, and the living is easy… but as always, that’s about to change. For many in the world of Television production sound, late spring/early summer is a much needed time of rest (called “hiatus,” in the industry, usually a couple of months) that comes between the wrap of the prior season and the beginning of the next. The 16-hour days, week after week, take their toll on us, but it is also brutal on our equipment. In addition, trends change, equipment advances, and we should always be refining the way we work. But whether you work on television series, feature films, reality TV, commercials, news, or whatever, my advice is the same: after some much needed rest, when cabin fever sets in, remember that continued success depends on being prepared. Here are some ideas to help you get ready for the next run.
In the late 1960’s, the Society of Motion Picture and Television Engineers (SMPTE) adopted longitudinal timecode (LTC) as a method of making video and audio match. Timecode is the industry standard frame numbering system that assigns a specific number to each frame of video in the format of hours, minutes, seconds, and frames, while recording the same number on a corresponding audio track. And though there is a profusion of different frame rates, not that much has changed – both sound and picture people need a highly accurate clock to generate a starting point for all parties to reference. But what has changed is the way in which we manage timecode.
Unless otherwise noted on the listing description, Nagra tape recorders of the “4 series” listed for sale on the Trew Audio consignment pages are fully inspected and serviced at Trew Audio by Glen Trew, calibrated for modern tape, and guaranteed to perform within original Nagra specifications. The “4 series” machines include stereo models IV-S, IV-SJ, IV-STC, IV-S Timecode Systems (“Havey Mod”), and mono models 4.2 and IV-L. Professionals and serious amateurs can be sure that when purchased from Trew Audio these tape machines can be used for reliable high quality recording and playback, as originally intended.
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Due to manufacturer restrictions, we may not be able to ship some or all of these products outside of North America. At checkout, all shipping prices are calculated from the US. Orders to Canadian addresses may be shipped from our Toronto or Vancouver stores, with shipping costs adjusted (usually lower). For exact shipping cost to Canada please contact our Toronto or Vancouver offices.
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Due to manufacturer restrictions, we may not be able to ship some or all of these products outside of North America. At checkout, all shipping prices are calculated from the US. Orders to Canadian addresses may be shipped from our Toronto or Vancouver stores, with shipping costs adjusted (usually lower). For exact shipping cost to Canada please contact our Toronto or Vancouver offices.