Watch the Live Zaxcom Event! Sat. Feb. 18th~9AM PST
Watch Glenn Sanders from Zaxcom around 9AM PST as he demonstrates an all digital sound bag, shares the latest about […]
Watch Glenn Sanders from Zaxcom around 9AM PST as he demonstrates an all digital sound bag, shares the latest about […]



A new antenna called the “Diversity Fin” (polarization diversity), made by the company RF Venue, has been getting enough attention to warrant a comparison with two other popular antenna designs, the dipole and the “Shark Fin” (log periodic).
I made a short film in 1964. It was a 12 minute surrealistic film about romance gone wrong. It was 16mm black & white. It was the beginning of a 10-year career as an underground filmmaker. I guess I made about 7 or 8 films. I did everything on those films, camera, sound, and editing. I even did my own optical printing with a homemade printer. It was a great time to be an art-based filmmaker. I never made a nickel doing it, but it didn’t matter. I did all sorts of odd jobs to pay my lab bills. I worked as a camera assistant on an animation stand, as a cameraman shooting high-school football games, freelance stills photographer, lab technician, longshoreman, welder, and carpenter. At some point I got tired of the art scene. I never liked Andy Warhol.
I left the big city and lived on Quadra Island for several years. I built houses and worked on fishing boats. It was a lot more satisfying than making art films. I realized after a while that I was destined to work for a living. Then I met Ron Orieux. Ron is one of Vancouver’s top DOP’s now, but in 1973 he was just getting started. He was making a CBC documentary about the arts scene on the Gulf Islands. We hit it off. I looked him up when I moved to Vancouver. He told me about the SFU Film Workshop. I went there and met a great group of Vancouver Filmmakers and basically got on my feet in the Vancouver Film scene.

Rick was born in Nashville, TN and moved to New York and San Francisco while exploring the art and craft of filmmaking. He “embraced the back-to-the-land movement” for a period in the late 60s/early 70s while living in minimalist style on Quadra Island and filming only occasionally. In 1974 he resumed his filmmaking career making Vancouver, BC his home base as he worked on documentaries for the CBC and PBS and dozens of features like “Bird on a Wire,” “Happy Gilmore” and “Seven Years in Tibet.”
RE-PRINTED WITH PERMISSION from Sound & Picture.
Manufacturers await my reviews of their products with a bit of anxiety because they know I’m going to filter out the sales talk and tell it like it is for the benefit of the end-users. That’s probably why I’ve been asked so many times what I think about the new Zaxcom Nomad mixer/recorder.
Glenn Sanders visited Trew Audio’s Nashville store in December to go through every detail of Zaxcom’s NOMAD compact mixer/recorder. It’s
Last Friday, September 2nd, 2011, Trew Audio, Inc. acquired Coffey Sound, LLC. This comes as great news to all involved–especially
The new Comtek BST 75-216 is a 12-volt DC powered mini-base station transmitter that’s roughly half the size of the
There are several good reasons to have a powered speaker system on a production sound cart. For me
How can you tell if someone is a Rode lav owner? They are the ones who don’t run frantically