Sound Devices News from NAB ’26: Astral Mini Plus, Astral PowerStation Cell, and Viviana Cloud for 8-Series
Sound Devices had a busy NAB this year. The Astral Mini Plus, Astral PowerStation Cell, and Viviana Cloud 2 integration […]
Sound Devices had a busy NAB this year. The Astral Mini Plus, Astral PowerStation Cell, and Viviana Cloud 2 integration […]
Let’s be honest. While we all love the technological wizardry of Zaxcom devices, they sometimes make it easy to get
Trew Audio is proud to announce the addition of WisyCom to our lineup of wireless systems with a FREE TRANSMITTER introductory package offer (details below). For the first time ever, our US customers will have the opportunity to get their hands on these systems used by so many professionals worldwide. (Availability in Canada is pending government approval, which is expected very soon)
In the late 1960’s, the Society of Motion Picture and Television Engineers (SMPTE) adopted longitudinal timecode (LTC) as a method of making video and audio match. Timecode is the industry standard frame numbering system that assigns a specific number to each frame of video in the format of hours, minutes, seconds, and frames, while recording the same number on a corresponding audio track. And though there is a profusion of different frame rates, not that much has changed – both sound and picture people need a highly accurate clock to generate a starting point for all parties to reference. But what has changed is the way in which we manage timecode.
As purists often do, we who have stubbornly insisted on a hardwired boom must finally admit defeat: What started as
The Winter 2013 edition of CAS Quarterly has a recap of our FCC Licensing Workshop hosted last month in Los
Shure introduces a wireless system perfect for ENG shooters.