Remote Audio HN 7506 High Noise Headset

September 11, 2014 at 1:50 pm

Remote Audio HN 7506 High Noise Headset

Remote Audio’s HN 7506 High Noise headsets have been a big hit for professionals who want to protect their ears while monitoring the quality of their recordings. Heavy duty yet surprisingly comfortable, these headsets seal off outside ambience by as much as 45dB, and they’re designed to match the sound quality of the industry standard Sony MDR-7506.

Orca Bags

September 10, 2014 at 5:28 pm

ORCA_1

We received our first shipment of Orca bags today, and to say we’re excited would be an understatement.

We’ll be bringing you our full review and video soon, but here’s a quick taste:

Moze Gear Tig Q28 Timecode Generator

September 10, 2014 at 10:16 am

Mozegear Tig Q28

The new Tig Q28 timecode generator is just 2.8 cubic inches, which is about a third the size of the original Tig. Loaded with features, its tiny size fits even the smallest cameras and rigs. The variable timecode output level and “flow through audio design” adds practicality for cameras and recorders that are not designed to receive timecode.

K-Tek Stingray 2 for Sound Devices 664

September 9, 2014 at 10:58 am

KTek KSRA2 Stingray Following their success with the Stingray for the 633, K-Tek has released a new bag, the Stingray 2, for the 664. Check out our video showing the ins and outs of K-Tek’s latest offering.

WiFi Timecode – The Time Has Come Today

June 27, 2013 at 1:27 pm

Denecke Timecode Buddy Prototype

In the late 1960’s, the Society of Motion Picture and Television Engineers (SMPTE) adopted longitudinal timecode (LTC) as a method of making video and audio match. Timecode is the industry standard frame numbering system that assigns a specific number to each frame of video in the format of hours, minutes, seconds, and frames, while recording the same number on a corresponding audio track. And though there is a profusion of different frame rates, not that much has changed – both sound and picture people need a highly accurate clock to generate a starting point for all parties to reference. But what has changed is the way in which we manage timecode.

Clear-Com customer case study – Punk’d

October 26, 2012 at 2:26 pm

Punk’d, U.S.-based MTV’s hidden camera show, prides itself on leaving viewers hungry for more pranks when they surprise the most recognized celebrities. With Clear-Com’s intercom solutions, the Punk’d production team was able to carry out even funnier jokes in its ninth season. Clear-Com’s Eclipse-PiCo digital matrix and Encore partyline intercom […]

Ambient Recording – ACL 204 Seminar

May 1, 2012 at 11:13 am

Sebastian Fell and Klaus Grosser tour the new ACL 204 Lockit Box.

NAB 2012 – Optocore

April 21, 2012 at 6:04 pm

The man behind Optocore explains the ins and outs of a very in-depth system.

NAB 2012 – Clear-Com Tempest 2400 Seamless Roaming

April 21, 2012 at 6:04 pm

Clear-Com unlocks seamless roaming for their Tempest 2400 system.

NAB 2012 – Clear-Com Eclipse & Optocore Integration

April 21, 2012 at 5:13 pm

Clear-Com Eclipse & Optocore Integration explained.